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Our articles on this topic:
Novelty: A History of the New by Michael North
The Guy Davenport Reader
Valuing Experimental Literary Book Publishing as Non-Monetized Thought
The Hall of Uselessness by Simon Leys
We Have Never Been Well-Read: Franco Moretti’s Pact With the Devil
What Comes Next
J. M. Coetzee, A Life in Writing by J. C. Kannemeyer
Outside Literature: The Lars Iyer Interview
The Tim Parks Interview
Five Theories as to Why Little, Brown and Company, a Division of Hachette Book Group, Inc., Decided to Publish Both Flesh and Not, a collection of “Essays” by the Late David Foster Wallace, Theories Which Imply or Enact Their Own Approaches to Reviewing It
Exquisite Machines: (Re)constructing the Textual Sublime
“The Thoughts of Other People”: James Wood and the Realism of “Mind”
Freedom and the Arts: Essays on Music and Literature by Charles Rosen
Pulphead by John Jeremiah Sullivan
Post-Literacy or Super-Literacy?
The Adversary: On Susan Sontag’s Journals, 1964-1980
The Anatomy of Influence by Harold Bloom
Let Me Make a Snowman: John Gardner, William Gass, and “The Pedersen Kid”
A Jury of Her Peers by Elaine Showalter
Manifesto: New Aestheticism
From The Subversive Scribe by Suzanne Jill Levine
Launching a School of “Creative Criticism”
Notes on Sontag by Phillip Lopate
Reaching One’s Promise: What Writers Need to Do to Last Ten Years
From the Editors: On the Demise of Publishing, Reading, and Everything Else
Susan Sontag’s Cabinet of Curiosities
Intro to E-Lit: How Electronic Literature Makes Printed Literature Richer
Tintin and the Secret of Literature by Tom McCarthy
Camera Lucida by Roland Barthes
Aspects of the Novel by E.M. Forster
Reading Like A Writer by Francine Prose
The Din in the Head by Cynthia Ozick
Breaking the Code: Against Steven Pinker’s
The Blank Slate
Goldberg: Variations by Gabriel Josipovici
The One That Got Away: Why James Wood is Wrong About
Underworld
(And Why Anyone Should Care)
How to Read a Novel by John Sutherland
Where the Readers Are
Dirt for Art’s Sake by Elisabeth Ladenson
The Book Art of Robert The, Cara Barer, and Jacqueline Rush Lee
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