Comedic Laments: The Cry of the Sloth by Sam Savage

To Write About Real Englishness: The Man in the Wooden Hat by Jane Gardam

Hurry Home, Honey; Take Your Time, Love: The Poetry of Sawako Nakayasu

Photographic Poems: Catch Light by Sarah O’Brien

Shelly Jackson: The Writer Whose Medium Is Reality

Herta Müller’s The Passport

Devotion to the Book: Rex by Jose Manuel Prieto

A Sensual Anti-Novel: Juan the Landless by Juan Goytisolo

The Restless “I”: The Book Made of Forest by Jared Stanley

Humor in the Face of the Tragical: The Golden Calf by Ilya Ilf and Evgeny Petrov

The Jason Grunebaum Interview

From The Girl with the Golden Parasol by Uday Prakash

Reimagining Greek History: The Lost Books of The Odyssey by Zachary Mason

Existential Mysteries: Fugue State by Brain Evenson

The State of Gaddis: William Gaddis, “The Last of Something”: Critical Essays eds. Crystal Alberts, Christopher Leise, and Birger Vanwesenbeeck

Drugs, Alcohol, and Poetry: Prose. Poems. a novel. by Jamie Iredell

Mass Menstruation and Lesbian Orgies: The Women’s Writing of Carmen Boullosa

Gert Jonke’s Radical Compassion: The Vincent Kling Interview

Word Games and Surreal Imagery: The System of Vienna By Gert Jonke

The Childhood Storytelling Voice: Scary, No Scary by Zachary Schomburg

Correspondence Theory: The Abyss of Human Illusion by Gilbert Sorrentino

Per Petterson and The Masculine Question

On Jonathan Swift’s Poetry

DeLillo’s 24-Hour Psycho: Point Omega by Don DeLillo

Make These Machines Mean: Overqualified by Joey Comeau

Fascism, Art, and Mediocrity: Monsieur Pain by Roberto Bolaño

The David Shields Interview