Our articles on this topic:

• The Anatomy of Influence by Harold Bloom

• Let Me Make a Snowman: John Gardner, William Gass, and “The Pedersen Kid”

• A Jury of Her Peers by Elaine Showalter

• Manifesto: New Aestheticism

• From The Subversive Scribe by Suzanne Jill Levine

• Launching a School of “Creative Criticism”

• Notes on Sontag by Phillip Lopate

• Reaching One’s Promise: What Writers Need to Do to Last Ten Years

• Susan Sontag’s Cabinet of Curiosities

• Intro to E-Lit: How Electronic Literature Makes Printed Literature Richer

• Tintin and the Secret of Literature by Tom McCarthy

• Camera Lucida by Roland Barthes

• Aspects of the Novel by E.M. Forster

• Reading Like A Writer by Francine Prose

• The Din in the Head by Cynthia Ozick

• Breaking the Code: Against Steven Pinker’s The Blank Slate

• Goldberg: Variations by Gabriel Josipovici

• The One That Got Away: Why James Wood is Wrong About Underworld (And Why Anyone Should Care)

• How to Read a Novel by John Sutherland

• Where the Readers Are

• Dirt for Art’s Sake by Elisabeth Ladenson

• The Book Art of Robert The, Cara Barer, and Jacqueline Rush Lee

Current popular articles

• The Book Art of Robert The, Cara Barer, and Jacqueline Rush Lee
• The One That Got Away: Why James Wood is Wrong About Underworld (And Why Anyone Should Care)
• Launching a School of “Creative Criticism”
• Reading Like A Writer by Francine Prose
• Camera Lucida by Roland Barthes

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