I have had the big and black Alfaguara edition of Cuentos Completos de Juan Carlos Onetti (“Complete Stories of Juan Carlos Onetti”) on my night table a few months already. I read one at random from time to time before I go to sleep. I believe that Juan Carlos Onetti should be read while lying in bed. Ideally, on Sunday afternoon. His stories are hard and cleverly written. Onetti is a master of controlling the flow of narrative information. Subtlety is his personal signature. Some of his stories are technical marvels in that respect. Everything happens when nothing seems to happen, as if he were performing a magic trick. While Borges was creating his universe full of obsessed scholars of the esoteric, tragic gauchos, and paradoxical intellectuals, the Uruguayan Onetti told us tales about the empty urban Latin American man: a little lost, a little confused, a little in love or heartbroken, a little tired of himself and his life of routines and long walks. His prose is sharp and beautiful. I still cannot believe his stories have not been translated into English. He is a huge classic.
Javier Moreno writes on movies and literature for various publications and is the author of the short story collection Lo definitivo y lo temporal, published by Fondo Editorial EAFIT.
Phelan goes on to say, "There will, I’m sure, be no consensus about what constitutes badness or whether it belongs to the book, the reader, the situation of reading, all of the above, or none of the above," though he's almost wrong there. The list is pretty varied, from the morally-bankrupt to the so-bad-it's-good varieties, though generally the harshest judgments come against fussy stylists and purple prose. Cormac McCarthy gets singled out, by name and illustration, multiple times.
Wherein we learn that Imperial hasn’t gotten nearly the attention it deserves and “Vollmann was exceptionally gracious as both host and interview subject, quite generous with his whiskey and his time.”
In some of the best news ever, Margaret Atwood is going to have a cameo in a movie musical about hockey. Seriously. I am — what is the word? – giddy. Don’t believe me? Atwood discusses it on her blog. Can this news get better? Hell, yes. The movie also stars Olivia Newton-John.
New issue of the New York Review of Books is out, with Colm Tóibín on exile lit.
With jokes from Joyce Carol Oates and "wild imaginings" from 92-year-old winner Diana Athill -- not to mention talk of a sequel from "Wolf Hall" author Hilary Mantel -- this year's NBCC Awards were noteworthy for their celebration of literature by women.
DFW's latest cover makeover, plus a great-looking cover and a really not-so-great-looking cover.
Since buying The Selected Poems of Wallace Stevens at City Lights, I’ve been rereading many Stevens poems and trying to understand it from a more mature perspective. Last time I read a vast amount of Stevens was when I was 22 for a class on Stevens, T.S. Eliot, Yeats, and Marianne Moore. With fifteen years [...]
The 2010 Best Translated Book Awards were announced last night at Idlewild Books, Manhattan. The Confessions of Noa Weber by Gail Hareven, translated by Dalya Bilu won the fiction award, and the poetry award went to Elena Fanailova for The Russian Version, translated from the Russian by Genya Turovskaya and Stephanie Sandler. Check out the [...]
The National Book Critics Circle Award is announcing their winners tonight. The diversity of their nominations, from the better known (such as Hilary Mantel and Mary Karr) to the less mainstream (such as Rachel Zucker and Eula Biss), makes the blog entries on the nominees an interesting read. I added Stephen Burt’s Close Calls with [...]
Translator Jonathan Wright said last night that he felt, for the English-language reader, "religious references [in Arabic literature] are in general problematic."
Lipsyte: Well these were the famous classes that he taught and others have written about it. He would kind of perform an amazing monologue for hours that would be a work of art in and of itself, in the way it was constructed in real time and kept pulling threads through and weaving all these elements together, but the content of it would be reflections on writing and art and what it is to be an artist and how one should approach the page. And then at the end of that—and that could go for four or five hours—at the end of that, he would call on students to read from whatever it was they were working on, but normally you wouldn't get too far, because he would stop you probably within a sentence or two and point out all that was false in what you had perpetrated.
In the brief essay that J.C. Hallman will deliver at a panel discussion at the 2010 AWP Conference in Denver, Hallman will offer up his own insights as to the nature of this admittedly flawed practice. The essay will be, to some extent, experimental. It will have a self-referential quality, it will aspire to innovation, indeed it will even be accurate to describe it as "meta-," but of course Hallman will use none of these terms, though he would like to. Book proposals are not places for words like innovation and experimentation. Instead, Hallman's essay will be "quirky and fun."
Seven Nights Jorge Luis Borges (trans. Eliot Weinberger). New Directions. $12.95, 128pp. In Seven Nights, the recently re-released collection of lectures-turned-essays originally given in Buenos Aires in 1977, Borges does not discuss the phenomenon of déjà vu. He does, however, speak at great length about nightmares and dreams, which he describes as “a kind of modest [...]
Best European Fiction 2010 edited by Aleksandar Hemon, preface by Zadie Smith. Dalkey Archive Press.448 pp, $15.95. “The great pest of speech is frequency of translation,” Samuel Johnson once wrote, in the preface to his iconic Dictionary of the English Language: No book was ever turned from one language into another without imparting something of its native [...]
“There are, of course, newspapers to keep responsible Americans up to date when trouble looms, and public television or even the History Channel to inform us about the occasional historic battle or archaeological discovery or civil war. What else do we need?” Claudia Roth Pierpont frames her essay on the contemporary Arabic novel, published in [...]