More ways to support The Quarterly Conversation
All successful postmodern literature contains a comic element, argues Dan Green. Orhan Pamuk just isn’t funny. [more]
Oral storytelling is an essential part of Ngugi wa Thiong’o’s beliefs about art and politics. Scott Esposito explains how storytelling works on three levels in Thiong’o’s newest novel, Wizard of the Crow. [more]
The language, logic, and structure of Catch-22 are like a Mobius strip, argues Elizabeth Wadell. So is rereading. [more]
New work from Edie Meidav and Ken Stout, from their forthcoming book, Cautionary Tales. [more]
Spring 2007
Two Men on the Subway
Dave Beckerman
Courtesy of the Artist