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Basking in Hell: Returning to William H. Gass’s The Tunnel

William H. Gass’s 650-page novel The Tunnel is one of the most complex, challenging books published in English in the 1990s. Stephen Schenkenberg investigates two valuable offerings from the Dalkey Archive Press helping us understand this disagreeable and stunning novel. [more]

New Cliches: How Mulligan Stew Uses Old Lines to Slam Pretentious Authors

Mulligan Stew, considered by many to be Sorrentino’s greatest novel, is also probably the one in which his anger most powerfully dictates content. Yet, argues Scott Esposito, it’s not a rant, or a mere satire, but a literary masterpiece. [more]

World Cinema: The Independent Spirit of the Toronto International Film Festival

If the space for innovative cinema has shrunk over the course of two decades, unconquered territories still remain, perhaps even thrive, in the early 21st century. M.S. Smith discovers some of them at the Toronto International Film Festival. [more]

The Value of Religious Diversity

Is it correct to accept religion and science as squaring off across a red-blue scrimmage line? J.C. Hallman argues for a more inclusive view of each. [more]

Howdy Neighbor

John Updike is my neighbor. I have not talked to John Updike. He seems rather vaguely pissed off at me. [more]

What is Appropriate: Teaching Invitation to a Beheading, Reading Lolita in Tehran, and Others to High Schoolers

Is it right to teach 12th-graders a book that involves blow jobs? Where should the line be drawn, and who should draw it? Teachers? Administrators? Matthew Cheney delves into his time as a teacher to find an answer as to what is appropriate. [more]

ISSUE 6

Winter 2007

Dan McCarthy
Halfshell, 2006
Oil on canvas
68 x 46 inches
Courtesy of Anton Kern Gallery

reviews

Whose Freedom? by George Lakoff

Remember Me by Lisa Takeuchi Cullen

Red the Fiend by Gilbert Sorrentino

Triangle by Katharine Weber

Suspension by Robert Westfield

Interviews

A Day at William T. Vollmann’s Studio

Contributor Notes