The Executioner’s Song is simultaneously more explicitly journalistic (nearly every line of dialogue seems pulled right from an interview, as do many of the physical descriptions) and more authorially neutral. I was expecting something a little more opinionated about the death penalty itself, and was surprised by how nonjudgmental Mailer remained throughout.
For what it’s worth, I think I have a little bit more tolerance for plot than Shields does, but just a smidgen.
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