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features

Latin America’s Kafka: What a Sly Argentine Has in Common with a Tubercular Czech

Some of the 20th century’s most innovative fiction came out of Prague and Buenos Aires. Scott Esposito argues that there’s a potent link between the plots being written in each. [more]

Reading Claude Cahun

French gender-bending artist Claude Cahun is generally known as a photographer. She also left behind an impressive body of literature. Lauren Elkin argues should it be read, especially by adherents of challenging Surrealist works. [more]

A Clean, Well-Lighted Place: Hard Situations and Easy Morals in Tobias Wolff’s Short Fiction

John Lingan considers Tobias Wolff’s new, career-spanning collection of short fiction. He finds a writer in great debt to Hemingway and unable go embrace the grotesque. [more]

ISSUE 13

Fall 2008

reviews

All One Horse by Breyten Breytenbach

Boxwood by Camilo José Cela

Watching the Spring Festival by Frank Bidart

The Implacable Order of Things by José Luis Peixoto

Senselessness by Horacio Castellanos Moya

Winners Have Yet to Be Announced by Ed Pavlic

Tomato Girl by Jayne Pupek

Basrayatha by Muhammad Khudayyir

Thing of Beauty by Jackson Mac Low

It’s go in horizontal by Leslie Scalapino

The Post-Office Girl by Stefan Zweig

Interviews

The Horacio Castellanos Moya Interview

Fourteen Questions for Jean-Philippe Toussaint